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    <title>Bondage Art</title>
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    <description>Rope treated as an art form: the kinbaku tradition and its aesthetics, the photographers who shaped how it looks, stage performance, and original studies made for this site.</description>
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    <lastBuildDate>Mon, 17 Aug 2026 23:05:58 GMT</lastBuildDate>
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      <title>Filming a rope performance without killing it</title>
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      <description>Rope performance video is a transfer, not a film. One camera against three, why stage light fights the lens, and what a recording loses from the live room.</description>
      <pubDate>Sun, 16 Aug 2026 11:52:26 GMT</pubDate>
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      <title>The magazines that made a scene</title>
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      <description>Kitan Club ran monthly from 1947 to 1975 and turned rope into a shared picture language. Cheap paper, obscenity law and a readership that sent in its own photographs decided what a kinbaku image looked like for thirty years.</description>
      <pubDate>Wed, 12 Aug 2026 15:36:18 GMT</pubDate>
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      <title>The generation working now, and what changed</title>
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      <description>Rope photographers today credit their collaborators, agree terms in writing and publish themselves. What that shift did to the pictures, and what it cost them.</description>
      <pubDate>Sat, 08 Aug 2026 10:00:00 GMT</pubDate>
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      <title>Nobuyoshi Araki, read from the public record</title>
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      <description>Araki photography on the record: a career measured in books, the formal logic of the rope pictures, and the 2018 account that reopened the consent question.</description>
      <pubDate>Tue, 04 Aug 2026 13:32:16 GMT</pubDate>
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      <title>From hojojutsu to kinbaku</title>
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      <description>The documented arc runs from Edo-period restraint practice through Meiji-era stage and print culture to Seiu Ito and the postwar magazines. The popular version, a straight line from samurai rope to modern kinbaku, is a simplification assembled long after the fact.</description>
      <pubDate>Thu, 30 Jul 2026 12:31:15 GMT</pubDate>
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      <title>Three authors, one image</title>
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      <description>The model, the rigger and the photographer are co-authors of a rope picture, and the frames that work come from people who talked first. What to settle before the shoot, why time pressure shows in a face, and how usage rights get agreed in advance.</description>
      <pubDate>Sun, 26 Jul 2026 12:29:14 GMT</pubDate>
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      <title>What makes a rope image beautiful</title>
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      <description>Asymmetry, one line visibly carrying the weight, negative space, the contrast of fibre against skin and cloth, and a preference for the moment beside the moment. The formal values a rope picture is judged by, and the borrowed vocabulary that gets misapplied to them.</description>
      <pubDate>Wed, 22 Jul 2026 09:22:11 GMT</pubDate>
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      <title>Lighting rope for photography</title>
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      <description>Rope absorbs light rather than returning it, so a flat frontal source turns jute into a grey smear. Raking side light recovers the twist. The three failures that account for most disappointing rope photographs, and what to do about each.</description>
      <pubDate>Sat, 18 Jul 2026 11:15:07 GMT</pubDate>
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